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Faux painting. Performer's Objects
Exhibitions of performer’s objects in galleries are very rare. The reason is quite simple: the objects are not exactly artworks. They are important and unique, but without the structure of live action and the presence of the artist and the public, they are dead. Their reactivation through some other form – video or photography – relocates them back to their primary context, but they do not play the same role as before. They emit meanings and significance that are completely unattached to the surrounding new space, new viewer or new contexts. These meanings maybe now unimportant or do not at this time fit very well. The question is: what makes us treat performance art objects or performer’s objects in a special way?
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